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・ Juan Larrea (fencer)
・ Juan Larrea (poet)
・ Juan Larrea (politician)
・ Juan Latino
・ Juan Laurentino Ortiz (Argentine poet)
・ Juan Lavalle
・ Juan Lazcano
・ Juan Lazo Cruz
・ Juan Leal
・ Juan Leandro Quiroga
・ Juan Lebrero
・ Juan Lechín Oquendo
・ Juan Legarreta
・ Juan Legaz
・ Juan Lembeye
Juan Lepiani
・ Juan Lewis
・ Juan Leyrado
・ Juan León Mera
・ Juan Lindo
・ Juan Lindolfo Cuestas
・ Juan Liscano
・ Juan Lizariturry
・ Juan Llabot
・ Juan Llerena, San Luis
・ Juan Lloret Llorens
・ Juan Llort
・ Juan Lluhí
・ Juan Lojas
・ Juan Lombardi


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Juan Lepiani : ウィキペディア英語版
Juan Lepiani


José Juan de Dios Mateo Osbaldo Botaro Lepiani Toledo (20 September 1864, Lima - 28 November 1932, Rome) was a Peruvian painter. He is primarily known for historical and patriotic scenes; notably those related to the War of the Pacific.
== Biography ==
As a young man he worked at a series of simple jobs, such as paymaster for the central railroad. He considered art to be his natural vocation, however, so he began studying with Francisco Masías and Ramón Muñiz, a Spanish painter living in Lima, about whom little is known. In the 1890s, Lepiani began his series of historical scenes.
In 1903, he went to Europe, where he visited museums and exhibitions. He eventually settled in Rome, where he lived a somewhat dissolute life and created few original works, preferring instead to copy the Old Masters, such as Raphael and Titian, and sell the reproductions to American tourists. His copies were highly regarded, however, and some of the best ones were even sent home to Peru.
He returned home in 1928, prematurely old and almost blind from the arduous copying work; often done in poor light. The following year, he was back in Europe where his finances fell victim to the Crash of '29. Penniless and totally blind, he died in Rome four years later.
Among his works depicting the War of the Pacific, the best-known include the death of Colonel Francisco Bolognesi at the Battle of Arica, Alfonso Ugarte riding his horse over a cliff to prevent the Peruvian flag from being captured, and a scene from the Battle of Miraflores where weaponless civilians rise to the defense of Lima. Although lesser known, he also created canvases related to the Spanish Conquest, the War of Independence and the coup d'etat of 1895, led by Nicolás de Piérola.

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